Global Music Production Software Market 2018-2022

SKU ID :TNV-12842070 | Published Date: 02-Jul-2018 | No. of pages: 113
PART 01: EXECUTIVE SUMMARY PART 02: SCOPE OF THE REPORT PART 03: RESEARCH METHODOLOGY PART 04: MARKET LANDSCAPE • Market ecosystem • Market characteristics • Market segmentation analysis PART 05: MARKET SIZING • Market definition • Market sizing 2017 • Market size and forecast 2017-2022 PART 06: FIVE FORCES ANALYSIS • Bargaining power of buyers • Bargaining power of suppliers • Threat of new entrants • Threat of substitutes • Threat of rivalry • Market condition PART 07: MARKET SEGMENTATION BY TYPE • Segmentation by type • Comparison by type • Editing – Market size and forecast 2017-2022 • Mixing – Market size and forecast 2017-2022 • Recording – Market size and forecast 2017-2022 • Market opportunity by type PART 08: MARKET SEGMENTATION BY END-USER • Segmentation by end-user • Comparison by end-user • Professional – Market size and forecast 2017-2022 • Casual – Market size and forecast 2017-2022 • Market opportunity by end-user PART 09: CUSTOMER LANDSCAPE PART 10: REGIONAL LANDSCAPE • Geographical segmentation • Regional comparison • Americas – Market size and forecast 2017-2022 • EMEA – Market size and forecast 2017-2022 • APAC – Market size and forecast 2017-2022 • Market opportunity PART 11: DECISION FRAMEWORK PART 12: DRIVERS AND CHALLENGES • Market drivers • Market challenges PART 13: MARKET TRENDS • Growing use of AI by start-ups to compose music • High market entry barriers for new vendors • Growing popularity among non-professional users PART 14: VENDOR LANDSCAPE • Overview • Landscape disruption • Competitive scenario PART 15: VENDOR ANALYSIS • Vendors covered • Vendor classification • Market positioning of vendors • Ableton • Adobe • Apple • Avid • MAGIX PART 16: APPENDIX • List of abbreviations Exhibit 01: Parent market Exhibit 02: Global music market Exhibit 03: Market characteristics Exhibit 04: Market segments Exhibit 05: Market definition – Inclusions and exclusions checklist Exhibit 06: Market size 2017 Exhibit 07: Validation techniques employed for market sizing 2017 Exhibit 08: Global – Market size and forecast 2017-2022 ($ mn) Exhibit 09: Global – Year-over-year growth 2018-2022 (%) Exhibit 10: Five forces analysis 2017 Exhibit 11: Five forces analysis 2022 Exhibit 12: Bargaining power of buyers Exhibit 13: Bargaining power of suppliers Exhibit 14: Threat of new entrants Exhibit 15: Threat of substitutes Exhibit 16: Threat of rivalry Exhibit 17: Market condition – Five forces 2017 Exhibit 18: Type – Market share 2017-2022 (%) Exhibit 19: Comparison by type Exhibit 20: Editing – Market size and forecast 2017-2022 ($ mn) Exhibit 21: Editing – Year-over-year growth 2018-2022 (%) Exhibit 22: Mixing – Market size and forecast 2017-2022 ($ mn) Exhibit 23: Mixing – Year-over-year growth 2018-2022 (%) Exhibit 24: Recording – Market size and forecast 2017-2022 ($ mn) Exhibit 25: Recording – Year-over-year growth 2018-2022 (%) Exhibit 26: Market opportunity by type Exhibit 27: End-user – Market share 2017-2022 (%) Exhibit 28: Comparison by end-user Exhibit 29: Professional – Market size and forecast 2017-2022 ($ mn) Exhibit 30: Professional – Year-over-year growth 2018-2022 (%) Exhibit 31: Casual – Market size and forecast 2017-2022 ($ mn) Exhibit 32: Casual – Year-over-year growth 2018-2022 (%) Exhibit 33: Market opportunity by end-user Exhibit 34: Customer landscape Exhibit 35: Global – Market share by geography 2017-2022 (%) Exhibit 36: Regional comparison Exhibit 37: Americas – Market size and forecast 2017-2022 ($ mn) Exhibit 38: Americas – Year-over-year growth 2018-2022 (%) Exhibit 39: Top 3 countries in Americas Exhibit 40: EMEA – Market size and forecast 2017-2022 ($ mn) Exhibit 41: EMEA – Year-over-year growth 2018-2022 (%) Exhibit 42: Top 3 countries in EMEA Exhibit 43: APAC – Market size and forecast 2017-2022 ($ mn) Exhibit 44: APAC – Year-over-year growth 2018-2022 (%) Exhibit 45: Top 3 countries in APAC Exhibit 46: Market opportunity Exhibit 47: Independent musicians vs. employed musicians 2005 and 2017 Exhibit 48: Percentage of population taking at least one music class during their lifetime 1990-2017 Exhibit 49: Vendor landscape Exhibit 50: Landscape disruption Exhibit 51: Vendors covered Exhibit 52: Vendor classification Exhibit 53: Market positioning of vendors Exhibit 54: Ableton – Overview Exhibit 55: Ableton – Business segments Exhibit 56: Ableton – Organizational developments Exhibit 57: Ableton – Key offerings Exhibit 58: Adobe – Overview Exhibit 59: Adobe – Business segments Exhibit 60: Adobe – Organizational developments Exhibit 61: Adobe – Geographic focus Exhibit 62: Adobe – Segment focus Exhibit 63: Adobe – Key offerings Exhibit 64: Apple – Overview Exhibit 65: Apple – Business segments Exhibit 66: Apple – Organizational developments Exhibit 67: Apple – Geographic focus Exhibit 68: Apple – Key offerings Exhibit 69: Avid – Overview Exhibit 70: Avid – Business segments Exhibit 71: Avid – Organizational developments Exhibit 72: Avid – Geographic focus Exhibit 73: Avid – Segment focus Exhibit 74: Avid – Key offerings Exhibit 75: MAGIX – Overview Exhibit 76: MAGIX – Business segments Exhibit 77: MAGIX – Organizational developments Exhibit 78: MAGIX – Key offerings
Ableton Adobe Apple Avid MAGIX
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